Shikkari, Shikkari. Also, a Punch Line, of Sorts.

I was looking at "On Writing" and this popped up from the early parts:

     But there is a simple rule of thumb to help you decide that. Viewpoints belong to the characters who are the most deeply, emotionally involved in whatever is at stake in the scene. When you're wondering which character should have the viewpoint in any given scene, all you have to do is to pick the character who has the most to lose. THAT person is the one who is going to have the strongest goal, and his pursuit of the goal will be fertile ground for the best conflic

I ended up playing Diablo III during the afternoon, and then I went to the gym, so that took a lot of my time and energy for today - that is,
yesterday. 

I really need to get a grip here. Meaning, get my commitment for drawing & writing done daily, as well as physical exercise. Apparently my cholesterol is wildly high. Thus, gym.

So, let's talk about today's drawing.

It's clearly some sort of a fighting.... person, wearing a clothy type vest and fistguards. The hair shine is too glaring, I do like the picture-right side shoulder, though. Body is too messy, needs flattening.

I also need some reference for drawing toned bodies. Something of a issue, as right now I'm choosing to draw in a location away from my computer. Well, except when working with OpenCanvas, naturally... but I don't really have anything to show for that, yet.

The head was interesting - the current version is HUGE compared to what I initially pencilled down, but it's looking much better than what I had there initially. I'm not sure if the angle reads properly, though.
...
Maybe I should draw some still situations from some sort of a fighting match, if I want to put some more work into this specific theme.

My all around goal right now is improving and regaining my skills.