it's well known that copying is a highly effective form of learning, well, learning anything. It's also quite fun and easy, when you're feeling lazy. There is, however, one thing to keep in mind when doing it, and that is the
why.
Basically, the reason you're copying something, is to get better, and to learn something from the one who made the original. In the copies above, I approached it as I do my own original drawings - by building proper understructure and working upwards from there. It was a much more educational experience than if I had just tried to match the original drawing line-by-line.
That being said, doing exact line-by-line, stroke-by-stroke copies is one way of learning to estimate distances and lengths, but that wasn't my goal here --- I draw mainly from imagination, not from reference --- sometimes even when using reference would be the wiser choice.
I didn't draw much today, I have a deadline coming up, (20th) which I cannot afford to miss. Deadlines do me good, but unless there's a downside to missing them, they do not matter much to me. Meaning, I run into some serious trouble every time I try to manage anything by myself.
Doing Ranma copies reminds me of how much of a genius Rumiko Takahashi really is. There is this rather interesting, organic quality to her drawings, and she gets away with a bare minimum of effort suggesting 3d shape. She also uses these relatively simple poses, and often uses this almost isometric PoV to set scenes. Her pacing is also quite nice for the most part.
That being said, I haven't been very happy with later volumes of Inuyasha. It starts out strong, though.
Is it wrong if I watch the
Lucky Star opening on loop?
